Lesser known Visionaries

It is a great challenge for me as a writer to draw a snapshot of some very revered visionaries of the sikh community and project their visoin in a way understandable the non-sikh world as well. I don't feel shy to announce that I've been deeply influenced by Bhai Rama Singh ji's work "Roop Gobind da... Ral Khalse da.... Sikka Sone da" and Bhai Randhir Singh ji's work "Andithi Duniya- The mystical invisible world". And the experience of reading and feeling these books is really worth sharing.

Bhai Rama Singh ji's work has been made available with the title "In search of the True Guru" as the English translation of it, but I read its Punjabi version. Both English and Punjabi titles somewhere change the context and presumption of the content of the book itself.

Though from the mystical perspective, such works should not be critically examined but I would definitely like to point out things that I found interesting in a totally positive context. One such thing is that Bhai Rama Singh ji has been a man of God throughout his life and has shown great enthusiasm to enchant the name of God since the tender age of 8 years. The best part is that he hasn't concealed any facts in his book about his family background and the belief system of his parents. According to the book he belonged to a Hindu family and was a clean shaven youth until his 20's and used to enchant the name of god as "Hare Rama... Hare Rama...". He has even stated that his father consulted a horoscope as he was worried about his future but found out that he was born to enchant the name of the the lord and travel places throughout the globe. Though his passion for enchanting the name of the true lord and his quest for finding the true guru was settled with his exposure to sikhism. He not only became a devout sikh but a renowned preacher who devoted his life in propagation of sikhism and the message of sikh Gurus throughout the world. His mystical experiences, visions and dreams that he has shared in his book are really inspiring and one such vision is that of the "Khalsa Raj" in the last chapter. Though he hasn't talked much about the political apprehensions or the state of governance in Khalsa Raj but he has drawn a snapshot of the achievements of the Khalsa in various fields especially philanthropy and somewhere his vision seems a bit fantasized as he has drawn a picture too rosy and hasn't talked much about he ground realities of Indian/ Punjab polity.

Bhai Rama Singh ji has also shown his great reverence for Bhai Randhir Singh ji in his book as he is considered to be an authority in the field of  traditional sikhism called "Sanaatan/ Puraatan Sikhi" in Punjabi. Thinkers like Bhai Randhir Singh ji gave a completely different dimension to sikhism by writing over 20 revered books on sikh mysticism and spiritualism that helped in the transition of the community's image from being the martial race to the one with the intellectual prowess as well.

Though I have read the English translation of "Undithi Duniya", it would be very difficult for the contemporary Punjabi youth to read and comprehend his work in Punjabi because the modern language of Punjab has 30-40 % influence of the English language accounting to the IT revolution that the world has seen. But sticking to his work, the technicality with which he has executed his writings cannot be expected from the modern day preachers and requires a huge amount of religious acumen to be understood. The list of Bhai Sahib's works is shown below.

Though both the thinkers I have mentioned about in this article have relied heavily on their other-worldly experiences and visions but somewhere we too believe in the presence of the other world but the level of our sensitivity to the other-world is no where close to these thinkers and visionaries. It is also worth mentioning here that there is already a trust in the name of "Bhai Randhir Singh ji" and there are people who have already devoted their lives to his vision and also Bhai Rama Singh ji's vision. But, the recognition at the global level hasn't been equal to the other non-sikh renowned thinkers like Karl Marx.

Though I personally feel that Karl Marx gave some very powerful theories regarding religion, capitalism, socialism and his vision of a "Communist society" was revolutionary but I never feel like devoting my life to his vision. Some hardcore religious thinkers reject his theories out-rightly stating that they lack sensitivity and spiritual insight but they never see his theories operating in the religious shrines as well. The flow of money and commercialization of Gurudwaras show the practicality and logic behind his theories.

I would wind up this article by simply writing down my innermost feelings about the well-being and the longevity of the "Khalsa panth" and a hope to see the evils, that have crept in, getting destroyed. The onus is on the sikh youth especially in Punjab, to find the middle path.

Projection of Sikh personality in the media

This is one of the most hotly debated topic in the Sikh diaspora across the globe. We must have a clear vision before proceeding with the article that it is always good to have a balanced and a neutral opinion not favoring any particular side.Thinking logically may prove to be practical for ourselves but a little blunt to the people and personalities I'm going to talk about, but it will be of immense worth to the intellectuals reading this article for having a concrete opinion.

Let  me start with a singer-turned-actor who has made a big name for himself in a short span. Diljit Dosanjh started his career as a singer who turned to acting later and made it big in show-business. However, even he may be a bit embarrassed to see his own videos from his first album "Pyaar daa Oora Aira"  released around 14-15 years back. After his success from "Jatt & Juliet" series, he won critical acclaim for "Punjab 1984" and has turned out to be a rare turbaned-celebrity of a very powerful stature with a fame acknowledged across various nations.

However, an improved projection of sikh identity in films cannot be attributed to celebrities and actors alone. All the people who protested against the buffoonery image of sikhs in films deserve the credit. One such organisation that fought for the better projection of sikhs in the media was APKF (Akaal Purakh Ki Fauj) with the leading face of 3-time member of SGPC- Jaswinder Singh Advocate.

APKF organised Mr. Singh International event four times in 2005, 2007, 2009 and 2012 where thousands of sikh boys participated and brought forward four winners i.e. Harpreet Singh, Parmeet Singh, Damandeep Singh and Tajinderpaul Singh respectively. Only Harpreet Singh successfully hunted the job of news-anchor in PTC and Damandeep Singh got a few endorsements of various brands. But none of the winners or participants could turn into a successful celebrity who could create fortunes through show-business. Though APKF claims that their main motive was religious and wanted a more dignified projection of sikhs in the media, the question remains that does APKF feel a sense of achievement after the success of Diljit Dosanjh ??

Besides Diljit, there are many turbaned sikhs in the industry who have adopted singing and acting as a full time profession. Inderjit Singh Nikku, Ravinder Garewal, Ranjit Bawa, Malkit Singh are a few good examples. Daler Mehandi is also a good example if we look beyond Punjabi film industry. Though the main issue with all these singers is that none of them are "Saabat-surat" sikhs (Sikhs with fully grown beards). Though, it is worth mentioning here about a celebrity singer who became famous when he was clean-shaven but later on grew his beard, started wearing a turban and became a fully baptized sikh. KS Makhan has set an example of its kind.

Though the frequency of his albums has drastically reduced after he became a fully baptized sikh, he never talked much about his experiences and feelings that made him change his mind about his way of life. Though, it is also worth mentioning that his entire family including his parents and children are fully baptized sikhs. Besides KS Makhan, I've personally noticed many people posting the photos of their personal transition on social networking websites. But the question that haunts my mind is that whether such transition is permanent or reversible over a period of time and if it is permanent, I'm sure KS Makhan must be feeling privileged or must be enjoying a privilege. Of course, change of heart and feelings cannot be termed as "Opportunism" but some conservatives even believe that Diljit would have a similar transition one day. God know why ?? If someone has become very successful in one way, why would he change the way he looks or why would he change his lifestyle?? But the way Diljit is strongly marching ahead, I don't expect any "Change-of-heart" ("Hirday-Parivartan") from him at least for the next 20-25 years.

Though both the phenomenons i.e. Conservatism and Modernity are at the loggerheads, most of the time, they have also shown a great sense of co-existence since the inception of the society. Sikhs should understand that both conservatism and modernity working in tandem can help us have a better projection of ourselves globally in the media as well as out of it, in real life. Even in the remotest of the remote village in Punjab, we can spot on these two phenomenons co-existing e.g. a clean shaven child of baptized parents living with them. Then why can't such people co-exist on public platforms ?? E.g. (Mark my words) Diljit will never be honored on a religious platform, even on the stage of Mr. Singh International (in case it is organised again). If it happens, I'll genuinely be the happiest person, because I believe in peace and co-existence. But I'm sure that fanaticism on one side and egomania on the other side, won't let me be happy so easily :-)

It is worth mentioning of another "Saabat-surat" sikh who dared to enter show-business as a leading actor and featured in a few films -Manpreet Singh Banga.

Though Manpreet gave a reasonable performance in Punjabi films like "Sat Sri Akaal", he totally disappeared from the screen after the film "Chheva'n Daryaa" and for sure, couldn't achieve fame and stardom like Diljit or anywhere close to him. Though he has been very active in promoting the sikh identity by organizing various pageants like "Mr. Singh India" which are definitely of a smaller stature and are less competitive than "Mr. Singh International". I can authorize this claim being a finalist of Mr. Singh International 2009 myself where I met the winner of "Mr. Singh India 2009" as a co-finalist and various other "saabat-surat" sikh boys pursuing modelling seriously.

Now, the gist of the article is that all the people whom I have mentioned as yet, though belong to a completely different sphere, have a common belief system and share a religious affiliation. But how can a media-savvy person forget about the contribution of non-sikh actors in projection of a sikh-personality on screen. The names are enough if I talk about Akshay Kumar's work in "Singh is King" and Farhaan Aktar's work in "Bhaag Milkha Bhaag".

Though "Singh is King" was highly criticized by the sikh hardliners on the projection of sikh-identity, "Bhaag Milkha Bhaag" didn't attract much controversy being a biopic. Something in common about both the films besides having a sikh character as a protagonist is that both these films crossed 100-crore mark at the box office. Now this is the critical issue that needs to be addressed w.r.t the Punjabi film industry.... Budget !!

Though I'm not a film-crazy person but even if someone having a good general knowledge keeps himself active while coming across the box-office collections of Punjabi films, Bollywood films and South Indian films, and does a comparative analysis of the same, the reality of Punjabi cinema would stare right in your face. The cost of the most expensive Punjabi film till date has been 14-15 crores and the total revenue (including overseas) has been around 50 crores. And now kindly consider the figures of Bollywood and Tollywood films where the input cost for some projects goes to a whooping 100-150 or even 200 crores and the total revenue collected sometimes touches 500 crores e.g. PK. These figures are worth mentioning from the perspective of development and industrialization. If we think that Punjabi film industry is very flourishing and lucrative and is a dream destination for many aspiring actors and artist, why is that the economics is leading us to a different conclusion ??

Where Bollywood mega-stars make huge fortunes from the films and endorsements of various brands, Punjabi mega-stars like Diljit are busy creating fortunes from their overseas shows by capitalizing on their singing talent. Though these celebrities (both Punjabi or Non-punjabi) are in no dearth of money or resources, let me say it firmly for one time that "Sikh identity" is an issue about which actors can do absolutely nothing accounting to their duplicity and superficiality. If we turn to politicians, they're already there to take credit of even what the actors are doing. I simply do not want to get into the technical detail about the constitutional amendment required to empower the "sikh identity" which has its vulnerability exposed in the age of media and Information Technology.